Graphite on cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Graphite on cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Cut and layered paper
16 3/16” x 16 3/16”
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Copper, graphite on cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Copper, graphite on cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Scratched and punctured paper with colored film
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Scratched and punctured paper with colored film
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Charcoal on gouged paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Charcoal on gouged paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Charcoal and graphite on cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
Charcoal and graphite on cut and layered paper
31" x 25"
2020
Utilizing repetition and visceral mark-making, the This Could Not Be the End series reflects upon the moral and psychological underpinnings connected to the pursuit of humyns reaching the planet Mars.
San Diego Art Prize Exhibition
Bread & Salt Gallery, San Diego, CA
2020
Paint, salt, and graphite on board
17.25” x 59.25”
It can take 300 days for a spacecraft to reach the planet Mars. This work is a meditation on the marking of time in relation to that journey.
Acrylic paint, charcoal, and graphite on wood
40" x 30"
2020
Part of a larger installation
A look into the process of the amgydala releasing cortisol in times of stress or trauma as a mode of understanding the humyn experience.
Acrylic paint, charcoal, and graphite on wood, shag rug, and rocking seat
Size Variable
2020
A look into the process of the amgydala releasing cortisol in times of stress or trauma as a mode of understanding the humyn experience while the viewer heals within their participation with the work. One technique of healing the limbic system from trauma, stress, or depression is to rock each day in the morning and evening.
Wood and bolts, shag rug
2020
A look into the process of the amgydala releasing cortisol in times of stress or trauma as a mode of understanding the humyn experience while the viewer heals within their participation with the work. One technique of healing the limbic system from trauma, stress, or depression is to rock each day in the morning and evening.
Ink on cut and layered paper with color film
21" x 18”
2019
The Greek uppercase letter "delta" is visually represented by a triangle and is used to describe change. "Delta:Realist" is part of a series of works that considers the astronauts that will be the first to explore the planet Mars and how that change will affect their mindset.
Ink on paper
21" x 18”
2019
The Greek uppercase letter "delta" is visually represented by a triangle and is used to describe change. "Delta:Detractor" is part of a series of works that considers the astronauts that will be the first to explore the planet Mars and how that change will affect their mindset.
Cut paper
21" x 18”
2019
The Greek uppercase letter "delta" is visually represented by a triangle and is used to describe change. "Delta:Dreamer" is part of a series of works that considers the astronauts that will be the first to explore the planet Mars and how that change will affect their mindset.
Ink on cut and layered paper with color film
21" x 18”
2019
The Greek uppercase letter "delta" is visually represented by a triangle and is used to describe change. "Delta:Facts" is part of a series of works that considers the astronauts that will be the first to explore the planet Mars and how that change will affect their mindset.
Ink on cut and layered paper
21" x 18”
2019
The Greek uppercase letter "delta" is visually represented by a triangle and is used to describe change. "Delta:Idealist" is part of a series of works that considers the astronauts that will be the first to explore the planet Mars and how that change will affect their mindset.
Cut paper and colored film
12 1/8” x 12 1/8”
One in a series of intimate drawings that acknowledge architecture in relation to memory and loss as experienced during space travel.
Ink on cut and layered paper
12 1/8” x 12 1/8”
One in a series of intimate drawings that acknowledge architecture in relation to memory and loss as experienced during space travel.
Pencil on paper
12 1/8” x 12 1/8”
One in a series of intimate drawings that acknowledge architecture in relation to memory and loss as experienced during space travel.
Ink on cut paper and colored film
12 1/8” x 12 1/8”
One in a series of intimate drawings that acknowledge architecture in relation to memory and loss as experienced during space travel.
Ink on cut paper
11” x 15”
Ink on cut paper
12.5” x 12.5”
Brass and ink on paper
12” x 12”
Brass on cut paper
12” x 12”
Ink on hand-embossed paper
12” x 12”
Brass on cut paper
12” x 12”
Ink on hand-embossed paper
12” x 12”
Ink and cut paper
12” x 12”
Ink on cut paper
12” x 12”
Cut paper
12” x 12”
Brass and ink on cut paper
12” x 12”
Ink on cut paper
12” x 12”
Ink on paper
12” x 12”
Copper and cut paper
12” x 12”
Mirror and cut paper
12” x 12”
Gold and silver leaf with ink on cut paper
12” x 12”
Ink on hand-embossed paper
12” x 12”
Ink on paper
12” x 12”
Ink on layered cut paper
12” x 12”
Cut paper
2017
Ink on cut paper
2017
Hand-embossed paper
2017
Layered cut paper
2017
Nails, filament, paint, and metallic ink on wood
2017
Mirror with paint and ink on drilled wood
2017
Ink on layers of cut mat board
33” x 41” x 2”
2018
Ink on layers of cut mat board
33” x 41” x 2”
2018
Hand-embossed paper
14.75” x 14.75”
2017
Ink on hand-embossed paper
18.5” x 18.5”
2017
Cut paper
39” x 12” x 4”
2017
Ink on hand-embossed paper
14” x 14”
2017
Cut paper
9.75” x 9.75”
2017
Cut and hand-embossed paper
2017
Ink on hand-embossed paper
13” x 13”
2017